Produced by Portishead co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game is in British and Irish theaters from November 17.
